Zzvava is releasing their first album within just 10 months of existence. Their new album is a high-energy smorgasbord of boogie-ready surf-rock, jangly psychedelia, riffy power-pop and snappy indie-punk. If it feels like things change-up after every song, it’s because each track rotates in a different author, that is–the songwriting–is split four ways. Not only that, but when you see them live, (Sat., Nov 3) at Ziggy’s, you’ll see Jordan Collingridge, Jeffrey Freer, Anna Parker, and Nick Zomparelli swapping instruments (and vocals). Witness poise in the midst of constant flux! And stay tuned, because we’ll have a full feature/interview with the band in the December Print Edition of The Current.
The beautiful thing about the kinds of songs that Tanager make are how layered they are… These are guitars that envelop you, drums that pull you, melodic phrases that levitate you (and no, I’m not on drugs as I write this)… Those ethereal traits have always distinguished a Tanager song, a hybrid of coarse distortion
It is heartrending to see that message, reverberated through the past and into the present. Cynics may be tempted to ask, “Have we really made any progress?”. Yet, above the calls of protest and activism, the gallery is also filled with silence, waiting for the viewer’s response to the question, “Will you change it?”
Flint’s story is essential to the film because it illustrates the power of greed and why corporate money has no place in government. Macroeconomics 101 tells us that corporations are beholden to one thing—their stockholders. Humans do not enter into this equation. How can you have a democracy for the people when corporate money runs the government? You can’t.
Following Dr. John Harvey Kellogg, a prodigious doctor whose ecstasy over medicine overshadowed his regard for those closest to him, and his striving younger brother W.K., who toiled unappreciated under his brother before setting off on his own to great fame and success.