If a night of high-energy entertainment with poignant and elegant touches entices you, The Encore Musical Theatre Company’s Hello, Dolly! is a perfect evening of theatre.
Unfortunately, when bad computer generated imagery gimmicks and an absurd subplot immerge, everything goes downhill. See Suspiria 2018, and then see the original.
The hugely popular Downtown Detroit Market will be bigger and better this year, with twenty new vendors in glass huts arranged along Cadillac Square and Capitol Park. In between the glass huts will be hot chocolate and s’more stations, along with an outdoor bar. A handful of shops from outside the Detroit Metro Area were
K. A. Letts’s exhibition, “The Strangeness of Everyday,” opened at the Connections Gallery at the University of Michigan’s North Campus Research Complex on September 20th and runs through December 21. Letts says of her art: “My work looks both forward and back in time. I employ techniques and strategies from painting’s history to describe the present Anthropocene age where all of nature is touched by humans and all humans are touched by technology.”
It is heartrending to see that message, reverberated through the past and into the present. Cynics may be tempted to ask, “Have we really made any progress?”. Yet, above the calls of protest and activism, the gallery is also filled with silence, waiting for the viewer’s response to the question, “Will you change it?”
Unfortunately, when bad computer generated imagery gimmicks and an absurd subplot immerge, everything goes downhill. See Suspiria 2018, and then see the original.
Flint’s story is essential to the film because it illustrates the power of greed and why corporate money has no place in government. Macroeconomics 101 tells us that corporations are beholden to one thing—their stockholders. Humans do not enter into this equation. How can you have a democracy for the people when corporate money runs the government? You can’t.
