For every art gallery in town there are scores of stunning private home-studios where the public can see hundreds of pieces that simply can’t fit into a regular art venue. Take the house of Helen Gotlib and Dylan Stryznski. They have been together since they met at the UM School of Art and Design. She focuses on figurative and botanical drawing, using live models and delicate dried flowers that she sketches with pen and ink and then fills in with watercolor or gouache. Dylan has been exploring an expanding socio-environmental set of themes that he describes as “paranoid” and “cartoon expressionism” using a variety of media including roofing tar. That’s gouache on acid. And in this world, no matter how paranoid you get, you can never keep up. You can find Helen at booth number 166 on South University during the Ann Arbor Art Fair. To make an appointment to see their studio-house: 734-678-7976.
The beautiful thing about the kinds of songs that Tanager make are how layered they are… These are guitars that envelop you, drums that pull you, melodic phrases that levitate you (and no, I’m not on drugs as I write this)… Those ethereal traits have always distinguished a Tanager song, a hybrid of coarse distortion
It is heartrending to see that message, reverberated through the past and into the present. Cynics may be tempted to ask, “Have we really made any progress?”. Yet, above the calls of protest and activism, the gallery is also filled with silence, waiting for the viewer’s response to the question, “Will you change it?”
Flint’s story is essential to the film because it illustrates the power of greed and why corporate money has no place in government. Macroeconomics 101 tells us that corporations are beholden to one thing—their stockholders. Humans do not enter into this equation. How can you have a democracy for the people when corporate money runs the government? You can’t.
Following Dr. John Harvey Kellogg, a prodigious doctor whose ecstasy over medicine overshadowed his regard for those closest to him, and his striving younger brother W.K., who toiled unappreciated under his brother before setting off on his own to great fame and success.