Pretending to be something you’re not for affection is a pretty constant thing in society, and that's exactly what the coming-to-age upper-class Kate does in She Stoops to Conquer. She goes the opposite direction from the norm — pretending to be poor, so a wealthy Londoner takes notice of her. The problem with her suitor, Charles, is that he can't talk to women in his class because he becomes nervous, but he's quite the opposite around the lower-class ladies. Kate plans to pose as a maid when Charles visits, but a wrench is thrown in the plan when the suitor gets lost and ends up at a pub. He unknowingly meets his sweetheart-to-be's brother, who has a little practical joke up his sleeve. The play screens live from London at The Michigan Theater on Wednesday, April 11 as part of the National Theatre Live series. 7pm. Students $12, adults $22. Michigan Theater, 603 E. Liberty St. 734-668-8463. www.michtheater.org
The night before Thanksgiving is a notoriously busy bar night. Friends are back in town to see their families, but everyone really just wants to utilize a permissively late weeknight jamboree to blow off some much needed steam, before they have to behave themselves at the dinner tables tomorrow in front of grandparents and in-laws.
Two things from the get go: First: Your library can be (and always has been) a reliable source of cultural programming that can enrich the community. That can be author talks, it can be craft activities for kids, but it can ALSO engage the local music scene in very interesting ways…What I mean is, the
Ann Arbor based filmmaker’s latest documentary features Michigan musician/horror novelist Scott Allen spent a dozen years in the music scene, primarily with post-punk quartet Thunderbirds Are Now….but now…he’s getting into film. Documentary film, specifically. A Livonia native, Allen moved to Ann Arbor seven years ago to work for Automobile Magazine. While this fatefully aligned
Local musician Rick Coughlin founded Grove Studios in late 2016 with the goal of establishing it as a community space for musicians—by musicians! The Grove team’s idea, with an architectural vision of Breck Crandell, was for a compound of individual artists’ rehearsal spaces comprised of a fleet of shipping containers. Coughlin’s efforts have been aided by the