A group of enterprising Ypsilanti skateboarders have successfully converted an abandoned tennis court in Prospect Park into a regional skate destination. Conceived by Ypsilanti-native Eli Stevick, the park began humbly as just two benches to grind on, but has since progressed into a full-fledged skate park. Skaters come on weekends from as far away as Toledo, Kalamazoo and even Los Angeles. Top skateboarding website TheBerrics.com recently provided a $2,500 grant to build concrete ramps in the park and posted footage of Stevic and other local skaters to their website. Stevic and a few others are in the process of replicating the park’s current design (made with wood) into cement, and the park is still fully operational. Prospect Park, corner of Prospect Rd. and Cross St., Ypsilanti. Open 6am-10pm. 734-482-9825. cityofypsilanti.com
The night before Thanksgiving is a notoriously busy bar night. Friends are back in town to see their families, but everyone really just wants to utilize a permissively late weeknight jamboree to blow off some much needed steam, before they have to behave themselves at the dinner tables tomorrow in front of grandparents and in-laws.
Two things from the get go: First: Your library can be (and always has been) a reliable source of cultural programming that can enrich the community. That can be author talks, it can be craft activities for kids, but it can ALSO engage the local music scene in very interesting ways…What I mean is, the
Ann Arbor based filmmaker’s latest documentary features Michigan musician/horror novelist Scott Allen spent a dozen years in the music scene, primarily with post-punk quartet Thunderbirds Are Now….but now…he’s getting into film. Documentary film, specifically. A Livonia native, Allen moved to Ann Arbor seven years ago to work for Automobile Magazine. While this fatefully aligned
Local musician Rick Coughlin founded Grove Studios in late 2016 with the goal of establishing it as a community space for musicians—by musicians! The Grove team’s idea, with an architectural vision of Breck Crandell, was for a compound of individual artists’ rehearsal spaces comprised of a fleet of shipping containers. Coughlin’s efforts have been aided by the