Ann Arbor’s Dave DeVarti, former publisher of Current Magazine, will be driving his Honda Odyssey with a newly minted and finally legal vanity plate. And the plate’s contested message, WAR SUX, has cost the state of Michigan the sum of DeVarti’s attorney fees: $21,500. Originally barred by the state due to the government’s claim that the word SUX had a sexual overtone, U.S. District Judge Gordon Quist rejected the argument, asserting that the Secretary of State guidelines were too broad. Officials cannot deny personalized license plate requests for subjective reasons, however, the state can impose restrictions on requests for plates that contain profanity, parlay explicitly sexual content, or portray a negative image of a racial, religious or socioeconomic group. Meanwhile in Brooklyn, New York's Department of Motor Vehicles is revoking the patently offensive registration of a black Dodge with the license plate HAMMAS. Although the plate is a misspelling of Hamas, the Palestinian flag displayed in the windshield suggests a nod to Hamas, the Palestinian militant group. War, in short, sux.
Two things from the get go: First: Your library can be (and always has been) a reliable source of cultural programming that can enrich the community. That can be author talks, it can be craft activities for kids, but it can ALSO engage the local music scene in very interesting ways…What I mean is, the
Ann Arbor based filmmaker’s latest documentary features Michigan musician/horror novelist Scott Allen spent a dozen years in the music scene, primarily with post-punk quartet Thunderbirds Are Now….but now…he’s getting into film. Documentary film, specifically. A Livonia native, Allen moved to Ann Arbor seven years ago to work for Automobile Magazine. While this fatefully aligned
Local musician Rick Coughlin founded Grove Studios in late 2016 with the goal of establishing it as a community space for musicians—by musicians! The Grove team’s idea, with an architectural vision of Breck Crandell, was for a compound of individual artists’ rehearsal spaces comprised of a fleet of shipping containers. Coughlin’s efforts have been aided by the