The Ann Arbor District Library’s staff observed the progressing spread of COVID-19 with a keen eye towards optimal safety measures. Like all libraries, it remained closed for the duration of the three-month period of Michigan’s shelter-at-home executive order, to curtail the spread of the virus. But Sherlonya Turner says that while their staff certainly considered
While Ypsilanti’s beloved Ziggy’s isn’t quite ready to open, we talk to David Jeffries about the recent bit of good news about reopening when the timing’s right.
There’s a solid likelihood one of your favorite bands stopped through this 400-capacity venue on 1st. St. on their way to their higher-tier status. Nirvana was at the Blind Pig in 1989 (opening for the Flaming Lips). Pearl Jam and the Smashing Pumpkins came through on respective tours in 1991. A few other names to
Social justice songwriters Heather Mae and Crys Matthews take their 2020 tour online. Here’s one way to stay positive during these trying times.
Project 206 masterfully melds freak-out jazz sensibilities with progressive rock tendencies on their instrumental, four-track sophomore EP, Volatile.
All live music venues are vital. That’s our starting point for this series. The stories we’re sharing here demonstrate that local establishments hosting performances by local musicians should never be taken for granted— particularly in a post-pandemic world. When it comes to the Ark, you could argue that there’s been a dedicated constituency that has
Jeff Robinson can hear the music of the brew. After working as an audio engineer for nearly 30 years, the owner of South Lyon’s Third Monk Brewing doesn’t see that career as dissimilar: “…malt is the bass,” he says, “and hops are the treble, and the yeast is the mastering. I can take components of
Intimate and epic Americana to the Ark The three brothers of Brother Elsey are looking forward to the intimacy within The Ark. Brady, Beau, and Jack Stablein have been recording and performing a rousing blend of Americana and neo-country ballads for several years now, layering songs with evocative sheens of reverb, swelling harmonies, and road