Joan Baez

. May 17, 2012.

Joan Baez last visited Ann Arbor in November of 2008, just a few days after President Obama’s election. Her first words that night were, “Yes, we did!” A lot has happened in the past three years, and the people who’ve gotten teed off at President Obama, and the Democrats in general, probably won’t be in the audience when Baez returns this month. Their loss, because a Baez concert is a remarkable event. Sure, her pipes, now just past seventy, are not quite what they were, but Baez’s slightly diminished voice is still better than most, and the years have not stopped her growth as a singer and interpreter—and in those departments she had few peers to begin with.  Besides, with Baez it was never only about the soaring range, the astonishing beauty and clarity of her voice. It was about the depth of character that her voice carried and conveyed—and that doesn’t diminish with age. $27-$69. November 1. 7:30pm. 603 E. Liberty St. 734-668-8463. www.michtheater.org

Trending

DIYpsi Champions Local Artists (and here’s a PLAYLIST)

DIYpsi Aug 18 & Aug 19 at ABC Microbrewery I’ve detected an increasing amount of positive energy generating from the independent arts community of Ypsilanti over the last several years, grassroots efforts that stoke a sense of pride and celebration of the local culture scene, from First Fridays and Bona Sera, to the Threads All

Eighth Grade—Navigating Middle School Without Filters

If you missed Eighth Grade at Cinetopia, it’s finally officially playing this week at The State! Eighth Grade is this generation’s Sixteen Candles, Breakfast Club, and Welcome To The Dollhouse. If you’ve wondered what adolescence in the digital age is like, this movie’s strength is capturing Generation Z middle school life—while remaining universal.

August 2018—Biz Buzz

We’re keeping on an eye on what’s happening in local business. Find out more here!

The Mountain—’Spinning Dot Children’s Theater Company’ Premieres Play on Immigration

When performing plays, actors use props, costumes and set pieces to immerse themselves in the story. Spinning Dot Theatre repertory company members Aya Aziz and Forrest Hejkal, who star in the North American premiere of Chelsea Woolley’s two-hander, The Mountain, had extra help preparing to portray children on a playground; they did some of their