Responsible for some of the worst critical reviews of all time, but with brisk DVD sales and status as an underground cult classic, audiences can’t seem to decide whether The Room — written, directed, and starring filmmaker Tommy Wiseau — is brilliant or an abomination. Centered on a love triangle between banker Johnny (played by Wiseau), his wife, and his best friend, the film is filled with non-sequiturs and abandoned plot threads. Whether an example of avant-garde outsider art or simply an awful movie, you just have to see this one.
There’s a renaissance in folk music that’s been germinating around the southern shores of Lake Michigan over the last five years – and Frances Luke Accord are a vibrant component to a gallery of contemporaries that include The Accidentals and The Crane Wives. Their new EP comes out January 25 and its titled Silver & Gold; here’s
We’re all weirdos or strangers or awkward stumblers in this life… Throwaway faces that inherent eccentricity and denies it any ability to make one feel alienated by dramatizing alienation by way of accentuation: like a paper bag over one’s face. You might call this guitar/drum duo punk, or noise-rock, but that’s a result of your
(Full disclosure: Jason Webber is a former employee of Psychopathic Records) Shaggy 2 Dope is the George Harrison of Insane Clown Posse. He’s the quiet one…at least until you get him talking about things he’s passionate about—ICP’s Juggalo fanbase, music, and the Dark Carnival mythos that runs throughout ICP’s body of work, which—sorry, haters—is now