He lay on the floor with four bullets in his body only minutes after making a call to police. Six minutes after Colin Goddard, a 21-year Virginia Tech senior, made the call, police arrived, probably saving dozens of lives. The sad news — 32 were already dead, 17 more wounded. Goddard hasn’t wasted his four years since a legally mentally ill student armed with two handguns and 400 rounds of ammo tore apart hundreds of lives — he’s made an amazing recovery, and waged a war against gun violence. The documentary Living For 32 — which screens at the Michigan Theater on Thursday, November 10 at 7:30pm — follows Goddard volunteering for the Brady Campaign to Prevent Gun Violence and trying to prove how easy it is to buy a gun. Hard proof. Proof you can only get by walking into a gun show with a wad of cash and no ID. $9. Michigan Theater, 603 Liberty St. 734-668-8463.
The night before Thanksgiving is a notoriously busy bar night. Friends are back in town to see their families, but everyone really just wants to utilize a permissively late weeknight jamboree to blow off some much needed steam, before they have to behave themselves at the dinner tables tomorrow in front of grandparents and in-laws.
Two things from the get go: First: Your library can be (and always has been) a reliable source of cultural programming that can enrich the community. That can be author talks, it can be craft activities for kids, but it can ALSO engage the local music scene in very interesting ways…What I mean is, the
Ann Arbor based filmmaker’s latest documentary features Michigan musician/horror novelist Scott Allen spent a dozen years in the music scene, primarily with post-punk quartet Thunderbirds Are Now….but now…he’s getting into film. Documentary film, specifically. A Livonia native, Allen moved to Ann Arbor seven years ago to work for Automobile Magazine. While this fatefully aligned
Local musician Rick Coughlin founded Grove Studios in late 2016 with the goal of establishing it as a community space for musicians—by musicians! The Grove team’s idea, with an architectural vision of Breck Crandell, was for a compound of individual artists’ rehearsal spaces comprised of a fleet of shipping containers. Coughlin’s efforts have been aided by the