Here at Current, we have an obvious and vested interest in the status of print journalism. It’s a survival instinct. Artist Fred Tomaselli has an ongoing love with print as well, specifically the front page of The New York Times. Powered by his lifelong appreciation of the the paper and the gradual erosion of civility in public discourse, Tomaselli has spent the past ten years defacing the front page of the The Times to create his own surreal expression of the world. The UMMA will display a collection of his work in the Taubman Gallery starting October 4, with a guided tour set for Sunday, October 26 from 2-3pm. Tomaselli will speak as part of the Penny W. Stamps Speaker Series on October 2, 5:10pm at Michigan Theater.
There’s a renaissance in folk music that’s been germinating around the southern shores of Lake Michigan over the last five years – and Frances Luke Accord are a vibrant component to a gallery of contemporaries that include The Accidentals and The Crane Wives. Their new EP comes out January 25 and its titled Silver & Gold; here’s
We’re all weirdos or strangers or awkward stumblers in this life… Throwaway faces that inherent eccentricity and denies it any ability to make one feel alienated by dramatizing alienation by way of accentuation: like a paper bag over one’s face. You might call this guitar/drum duo punk, or noise-rock, but that’s a result of your
(Full disclosure: Jason Webber is a former employee of Psychopathic Records) Shaggy 2 Dope is the George Harrison of Insane Clown Posse. He’s the quiet one…at least until you get him talking about things he’s passionate about—ICP’s Juggalo fanbase, music, and the Dark Carnival mythos that runs throughout ICP’s body of work, which—sorry, haters—is now