One quick snap

. May 18, 2012.

Photography can change everything you thought you knew in an instant. The medium has that power. The University of Michigan Museum of Art’s Face of Our Time is a good example of that type of significance, drawing on a "documentary style" that records what often is swept under the rug — the vulnerable in the aftermath of a disaster, the suffering of illegal immigrants, the horrors in Africa. So don't miss UMMA Director Joseph Rosa’s interview of exhibition curator and curator of the photography department at the San Francisco Museum of Modern Art, Sandra Phillips, on Sunday, December 4. 2pm. Helmut Stern Auditorium, 525 S. State. 734-764-0395. www.umma.umich.edu

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Thanksgiving Eve

The night before Thanksgiving is a notoriously busy bar night. Friends are back in town to see their families, but everyone really just wants to utilize a permissively late weeknight jamboree to blow off some much needed steam, before they have to behave themselves at the dinner tables tomorrow in front of grandparents and in-laws.

Mini Moog Fest at AADL

Two things from the get go: First: Your library can be (and always has been) a reliable source of cultural programming that can enrich the community. That can be author talks, it can be craft activities for kids, but it can ALSO engage the local music scene in very interesting ways…What I mean is, the

Discussing the Documentary Art Form with Local Filmmaker Scott Allen

Ann Arbor based filmmaker’s latest documentary features Michigan musician/horror novelist   Scott Allen spent a dozen years in the music scene, primarily with post-punk quartet Thunderbirds Are Now….but now…he’s getting into film. Documentary film, specifically. A Livonia native, Allen moved to Ann Arbor seven years ago to work for Automobile Magazine. While this fatefully aligned

Grove Studios Update

Local musician Rick Coughlin founded Grove Studios in late 2016 with the goal of establishing it as a community space for musicians—by musicians! The Grove team’s idea, with an architectural vision of Breck Crandell, was for a compound of individual artists’ rehearsal spaces comprised of a fleet of shipping containers. Coughlin’s efforts have been aided by the